So here's another old interview with Dante Sigona of The Nerve Agents from 2003/2004. Dante pretty much revolutionized the band when he joined and the progression was evident on Days Of The White Owl and finally The Butterfly Collection.
J
Hi Dante... could you just introduce yourself, tell me about your band history?
Ya, Name is Dante, I played bass for the Nerve Agents. My band history is short and sweet- I played drums for band called Satanic Youth years before I joined the Nerve Agents. While I was in the Nerve Agents I started a band called the Angel Parade with a few good friends of mine. The Angel Parade was allot of fun but, it didn't last very long. Now, one of the members of the Angel Parade sings for a band called the Black Dove Cortett - I mention it because they are definitely worth checking out. If you get a chance see 'em-They have been playing in LA and SF.
How did you end up joining The Nerve Agents?
Well, Once upon a time in the Bay Area Hardcore/punk scene, I met Andy and Tim through a friend of mine who was in a band with them-called Model American. This was around 95 or so. I ended up going to allot of their shows and became really good friends with Andy. Eventually, the Nerve Agents formed and Andy called me and asked me to join. I told him I didn't play bass and Andy said something to the effect of "Fuck it, Who cares, Just get a hold of a bass and play with us. I thought "he's right, Fuck it."
What you have been up to since The Nerve Agents split up? There have been a lot of rumours going around about you going to art college, forming new bands, etc but there's been no watertight news on anything you've been doing recently...
Ya, Ive been going to school. Right now, I am focusing 90% of my time on school. You see, it is really difficult to make a living playing music. That is why I decided to go to School. Although, if playing in a band was a sure shot at making tons of money, I would, in most cases, certainly do it. How is that for selling out? The fact of the matter is: One of my ultimate goal's is financial security-to buy my own land so I don't have to piss my money away on a Landlord. As John Lee Hooker said: "Money don't get everything, it's true. But, what it can't buy I can't use." So, I go to school-Get a degree-then make a decent living. As far as music goes, I've been doing some solo stuff and some projects with a few friends. It's nothing to serious yet.
What is your version of events surrounding the split of The Nerve Agents?
Oh boy, Let me just say: Musically, Physically, Financially and emotionally the shit was hitting the fan.
Do you feel that The Nerve Agents reached its creative peak before the split?
No, this is the tricky part, There was so much potential that could have been transformed into an amazing work. We just couldn't coordinate our ideas correctly to form our vision. A few of the songs on the Butterfly Collection have a few elements of this vision. But, I feel that never, did the songs on that album turn into what they were intended to become. Actually, this might sound harsh but, It's allot like a Mother's feelings toward her still born baby: After it's born she can only imagine what it's personality would have been like.
Before the band signed to Hellcat, what other labels were interested in the band, and why did you choose Hellcat over any other potential label...
Nitro was interested in us as well as Revelation. The benefits of joining Hellcat weighed the other labels so we went with them. I remember the whole band being confused about what label to join. Then, one night we got a chance to play at the Filmore and Tim Armstrong came to see us. He said he wanted us on Hellcat-that made it easy for us. Hellcat treated us great.
What kind of musical progression do you feel would have occurred on a follow up to The Butterfly Collection?
I think it would have sounded like a cross between Days of the White Owl and Butterfly collection with many new elements. I think there would have been allot of attention on the details in each song. This definitely sounds crazy but, Ideally, I always wanted to incorporate cello and violin. I think that classical music can be so powerful. The are so many strong emotions that surface while listening to classical music. Now, think how amazing a punk song could be with those elements incorporated.
Got any funny tour stories?
Tons, OK, lets see Alright, During one of our US tours we stopped in Wyoming to buy fireworks. We ended up getting tons. Everyone in the band had their own little arsenal of rockets and, well...just an assortment of things that exploded. From then on the rest of the tour was just a fucking war zone. Every time the van stopped fire would be shooting in every direction. Not to mention that most of us decided to become alcoholic's that tour, so that made it even more interesting. It was like a bunch of screaming monkeys playing with fire. The cops must have been called on us 15 times. We even have a few on film questioning us. It was great. We'd wait for a band member to get out of the van to take a piss. Then we'd all sneak up behind and team up. The band member would then be simultaneously be shot at by the group. The poor bastard running through a corn field with his pants around his ankles trying to avoid get hit...It was great fun until it was your turn.
Then there was the more specific incident of my encounter with Jello Biafra. I think I was about 18 and I was so exited to be playing a show in LA with TSOL. Back stage was TSOL, Jello Biafra and a bunch of other people in popular bands. I was also exited that Jello Biafra was their because I loved the Dead Kennedys. I totally looked up to them. This was right around the time when Jello was going through that law suit with the rest of his band mates. It was a touchy subject. Anyway, Andy walked over to Jello and handed him one of our records. Jello thanked him graciously and said "Great, I collect Vinyl." I proudly shouted out and added "I think you'll like it-there's a Dead Kennedy's influence on there"...Suddenly, Jello's face dropped and the whole room became silent. Everyone, peered at me in shock-then disgust. My eyes opened wide and I realized what I had said. In the awkward silence, I tried to think of something to say. But nothing came except, "...I...I..um..." Complete humiliation. I had successfully made some of my all time favourite musicians cringe in disgust at my utter cluelessness. Later that night our group laughed about it. It was deemed "The worst possible thing I could have said."
What happened between you and Eric? There have been various rumours going round about arguments and feuds and stuff...
Yikes, Damn this question...All I can say about that is that I have no hard feelings against Eric. Eric is a smart guy and hope the best for him.
What do you think of Nerve Agents tattoos? Quite a few people are beginning to get them...
I love them-I love seeing new ones.
How long have you been playing bass for? Ever taken lessons?
I started for The Nerve Agents. So, ever since then. And, no, I never took lessons.
What bass equipment do you use?
I have an Ampeq half stack and head. My bass is a Fender precision Lite-ugly as hell but I love the way it sounds. For playing live in the Nerve Agents I used a cheep 120$ Dean-just in case it broke on stage. For 120$ it doesn't sound to bad.
Do you play any other instruments?
Ya, I play drums, Guitar, piano, I sing, and I play Harmonica. Hey Hey! Don't knock the harmonica-that thing's fucken awesome
How did you get involved in paying bass for The Distillers? How come you left them after a short period of time?
Eh...I don't want to get into it. Their new album is pretty good though.
What have you been listening to recently?
Leonard Cohen
The new Morrissey-Minus the first song on the album (anti American nonsense
with no argument)
Elliott Smith
Mahler Symphony No, 1 Funeral March
The Strokes
That one song by the Killers-I forget what it's called...
Merle Haggered
Could you name your top five records of all time?
Wow that one is tough. Ok,
Samhain (November Coming Fire)
TSOL (Change Today)
Skinny Puppy (Too Dark Park)
Bauhaus (The Sky's Gone Out)
The Doors (Morrison Hotel)
Have you spoken to any of the other band members from The Nerve Agents recently?
Zack and I have played phone tag a little lately. I'd like to start a project with him sooner or later.
What are your plans for the future? Musically and otherwise...
As far as punk goes, I'd like to start up where the Nerve Agents left off someday. Whether it be the Nerve Agents them selves getting back together or another group doing something similar.
That's it really - Thanks for your time! Any shout outs or famous last words that you want to share with the world of the internerd?
Ya, I'd like to thank John for doing this interview with me and being so patient. Thanks man.
Friday, 24 July 2009
The Suicide File
Here's an interview I did with Jarrod Alexander in 2003? Maybe it was 2004. Jarrod played/plays drums for about a million bands (American Nightmare, Hope Con, The Bars, Adamantium, etc) but The Suicide File was his main project. I was gonna use this for a zine but it just ended up online and then the site it was on went down so here it is. A couple of years later I ended up touring the UK with Jarrod on The Suicide File's reunion tour.
Hey Jarrod... Could you just introduce who you are and what you do, just in case anyone doesn’t know already…
My name is Jarrod Alexander and I play drums.
Are you currently in any bands or planning to record drums for any records soon?
I'm currently playing drums for A Static Lullaby.
How did you end up in A Static Lullaby anyway...
My friend Terry, the drummer of Christiansen, told them about me when I was on tour with Christiansen.
How old were you and what made you start playing drums in the first place?
I was about 9 or 10 years old when I first started drumming. I had an uncle who had an old double bass Ludwig set from the late 60's. Watching him play when I was little made me want to start playing.
What equipment do you use?
I use Istanbul cymbals, Promark 808 oak wood tip sticks and Johnny Craviotto solid maple drums.
Do you play other instruments?
I play a little guitar.
Who were your early influences?
Stewart Copeland of The Police, Bill Stevenson of The Descendents, Dave Grohl and John Bonham.
What about now? Are there any drummers around now who you are into?
Hmmmm. Terry Bozio, Brooks Wackerman, Josh Freese, Derek Grant, Virgil D., too many too name.
Did you take drum lessons or teach yourself?
I took lessons from the start.
What bands have you played drums for?
Death By Stereo, Adamantium, Give up the Ghost, The Hope Conspiracy, The Suicide File, The Vandals, Throwdown, The Bars, A Static Lullaby.
What releases have you appeared on?
- Death By Stereo - "If Looks Could Kill I'd Watch You Die"
- Adamantium "When It Rains, It Pours"
- Suicide File - Every release
- Give Up The Ghost/American Nightmare - "Background Music"
- The Hope Conspiracy- "Endnote"
- Throwdown - "Haymaker"
- The Bars - TBA
- Parker Theory - "Can Anybody Hear Me"
What made you stick it out at Berklee College of music, instead of being in a touring band, full time?
Good Question. Half of the time I wanted to leave and go on tour. I think what made me want to stay was the fact that I moved all the way from California just to try something different. I wanted to see if I could stick it out and get a degree. I wanted to learn different styles of music and still continue to play hardcore and better myself at both.
How did you get involved in just stepping in for bands during the recording process?
When I moved to Boston I didn't really know anyone out there other than the Bane guys. One day I was walking to the record store and bumped into Jonas and Neeraj from the Hope Conspiracy. I started hanging out with them and when they were drummerless I stepped in to write and record with them. I could write a page on this one question man!
I think Give up the Ghost had been through like 10 drummers by the time they were set to record their album. It was pretty crazy. I learned most of those songs of a boom box recorded tape that Tim C. gave me before they left on tour. We probably only rehearsed half of the songs before entering the studio. They flew me out to do the album and the night I flew home, Death by Stereo picked me up from the Airport and I played a show with them in San Diego.
The Hope Conspiracy's drummer left to join the army and my friend, Aaron (guitarist of Hope Con) and I, had already written music together in Adamantium. I stepped in for that because they didn't have a drummer at the time for the recording. Throwdown are my friends and I love them. Dom called me up to do their record when I was home for the Holidays. Once again, they didn't have a drummer at the time. We ate burritos, hit Starbucks and recorded in Hollywood for a few days.
When you’re in the studio with a band, do you have 100% creative input when it comes to the drumming, or do bands try and explain how they want things to sound?
It totally depends on the project. With the Suicide File, I had 100 percent creative input. The same for Death By Stereo. Most of the other records I kind of played what I thought would fit the band's style.
What records would you recommend a young, upcoming, drummer to listen to and gain inspiration from?
The Foo Fighters - "Colour and the Shape"
Finally...What are your plans for the future?
Touring with A Static Lullaby and recording a project with my friend Neeraj from The Suicide File.
Thanks a lot Jarrod.
Check out Jarrod latest work involving members of The Hope Conspiracy and Give Up The Ghost online at;
www.thebarsrock.com
Hey Jarrod... Could you just introduce who you are and what you do, just in case anyone doesn’t know already…
My name is Jarrod Alexander and I play drums.
Are you currently in any bands or planning to record drums for any records soon?
I'm currently playing drums for A Static Lullaby.
How did you end up in A Static Lullaby anyway...
My friend Terry, the drummer of Christiansen, told them about me when I was on tour with Christiansen.
How old were you and what made you start playing drums in the first place?
I was about 9 or 10 years old when I first started drumming. I had an uncle who had an old double bass Ludwig set from the late 60's. Watching him play when I was little made me want to start playing.
What equipment do you use?
I use Istanbul cymbals, Promark 808 oak wood tip sticks and Johnny Craviotto solid maple drums.
Do you play other instruments?
I play a little guitar.
Who were your early influences?
Stewart Copeland of The Police, Bill Stevenson of The Descendents, Dave Grohl and John Bonham.
What about now? Are there any drummers around now who you are into?
Hmmmm. Terry Bozio, Brooks Wackerman, Josh Freese, Derek Grant, Virgil D., too many too name.
Did you take drum lessons or teach yourself?
I took lessons from the start.
What bands have you played drums for?
Death By Stereo, Adamantium, Give up the Ghost, The Hope Conspiracy, The Suicide File, The Vandals, Throwdown, The Bars, A Static Lullaby.
What releases have you appeared on?
- Death By Stereo - "If Looks Could Kill I'd Watch You Die"
- Adamantium "When It Rains, It Pours"
- Suicide File - Every release
- Give Up The Ghost/American Nightmare - "Background Music"
- The Hope Conspiracy- "Endnote"
- Throwdown - "Haymaker"
- The Bars - TBA
- Parker Theory - "Can Anybody Hear Me"
What made you stick it out at Berklee College of music, instead of being in a touring band, full time?
Good Question. Half of the time I wanted to leave and go on tour. I think what made me want to stay was the fact that I moved all the way from California just to try something different. I wanted to see if I could stick it out and get a degree. I wanted to learn different styles of music and still continue to play hardcore and better myself at both.
How did you get involved in just stepping in for bands during the recording process?
When I moved to Boston I didn't really know anyone out there other than the Bane guys. One day I was walking to the record store and bumped into Jonas and Neeraj from the Hope Conspiracy. I started hanging out with them and when they were drummerless I stepped in to write and record with them. I could write a page on this one question man!
I think Give up the Ghost had been through like 10 drummers by the time they were set to record their album. It was pretty crazy. I learned most of those songs of a boom box recorded tape that Tim C. gave me before they left on tour. We probably only rehearsed half of the songs before entering the studio. They flew me out to do the album and the night I flew home, Death by Stereo picked me up from the Airport and I played a show with them in San Diego.
The Hope Conspiracy's drummer left to join the army and my friend, Aaron (guitarist of Hope Con) and I, had already written music together in Adamantium. I stepped in for that because they didn't have a drummer at the time for the recording. Throwdown are my friends and I love them. Dom called me up to do their record when I was home for the Holidays. Once again, they didn't have a drummer at the time. We ate burritos, hit Starbucks and recorded in Hollywood for a few days.
When you’re in the studio with a band, do you have 100% creative input when it comes to the drumming, or do bands try and explain how they want things to sound?
It totally depends on the project. With the Suicide File, I had 100 percent creative input. The same for Death By Stereo. Most of the other records I kind of played what I thought would fit the band's style.
What records would you recommend a young, upcoming, drummer to listen to and gain inspiration from?
The Foo Fighters - "Colour and the Shape"
Finally...What are your plans for the future?
Touring with A Static Lullaby and recording a project with my friend Neeraj from The Suicide File.
Thanks a lot Jarrod.
Check out Jarrod latest work involving members of The Hope Conspiracy and Give Up The Ghost online at;
www.thebarsrock.com
This Is Hell
Here's an old interview I did with Travis from TIH just after they had started. We used to post on the same messageboard and I wanted to do an interview with them after listening to their demo because I thought it was bad ass. It's a terrible interview.
J
This Is Hell is the name of a Elvis Costello song, and I think This Is Hell can describe almost anything in life when shit isn't going well.
What are some of your influences?
Um lyrically I'm mostly influenced by non hardcore bands like The Old 97's and Jawbreaker.... but on the hardcore tip I think Jeff from Modern Life Is War and Daniel from Instilled wrote some great lyrics.
What do you think of your own music?
I'm into it Haha.
Yeah? What's your favourite TIH song?
On the demo I would say 'Double Grave'.
Why is that?
Musically I like it a lot, and it means a lot to me - it's about my girlfriend.... that's so emo.
Haha, nah it's not. When and where did you record the demo? Did you record more than four songs?
Um, we recorded the demo in mid June at our bass players house... we just recorded the four demo songs.
So he did all the recording and shit on his computer?
Yup pretty much, he's got a mini studio in his basement...
That's awesome, it sounds really good. How did you guys hook up with Run For Cover?
Word, thank you... umm Jeff from RFC heard our demo and wanted to put something out for us, so we are having him press our demo on vinyl, so we have something to sell on tour, I'm stoked Jeff is a good dude and runs a rad label.
What do you think about the state of hardcore today?
I think the state of hardcore today is great and horrible at the same time, and I don't care enough to type out a long explanation, because I'm sure there are tons of people that agree with me and tons that don't, whatever... who's to say what is and what isn't hardcore?
Although This Is Hell has just started up recently what has been your best achievement or moment so far...
Haha I don't know... We are about to go on a 2 month full US tour that I'm booking myself, and I think that is pretty big, a lot of bands that have been around for a while don't even try to tour, so we are doing our thing, and going for it.
What do you want people to come away with after seeing you guys?
I just want people to appreciate bands that give up everything, quit school, work and embrace debt to go out on tour and play music, regardless of what it sounds like.
Do This Is Hell have any plans to record again anytime soon? Have you got much more stuff written, other than the demo?
We have a few more song's written, when we get back from tour we are going to demo like 2 new songs and send them to labels and see what happens, hopefully record a LP in the new year.
Well, I'll be stoked to hear that when it's done. How have people reacted to you guys so far? Whether that's been live... or on the demo...
We have been getting a lot of good feedback from the demo, we have only played like 2 live shows, and they were gooood.
Are there any lesser known hardcore bands around right now that you are stoked about?
Fine Print from Long Island, New York, Another Breath from Syracuse, New York.
What have you been listening to recently?
Modern Life is War, Against Me, Nightmare Of You, Sex Positions, Atmosphere, Old 97's.
The Sex Positions record is awesome. Staying with the subject of other bands...what are your top five records of all time?
I don't think I could answer that off the top of my head, but I will give you a few quickly.
Haha ok...
- Jawbreaker "Dear you"
- Killing Time "Brightside"
- Elvis Costello "This Years Model"
- CIV "Set Your Goals"
- Refused "Shape of Punk To Come"
...If you asked me tomorrow I'd probably list five different ones Haha.
That's it for now Travis. Do you have any shows coming up or anything like that you want to mention? Shows? Shout outs? Websites? Etc...
Umm check out our website haha - www.thisishell.org - and order our 7 inch @ www.runforcoverrecords.com
Thanks a lot. I'm seriously stoked on your band and I hope more people get into you guys by reading this interview and then checking you out.
Thank you very much dude
J
First of all, could you just introduce yourself and tell us what you do in the band... and what everyone else does... and give us some info of previous bands you guys have been in...
I'm Travis and I sing for This Is Hell, Jeff plays bass and he also sings for The Backup Plan, Joe plays guitar in This Is Hell and The Backup Plan, Andrew plays drums in This Is Hell and bass in The Backup Plan, and we are still working on a second guitar player.
When did you guys start and how did you all meet?
Um we started about 2 months ago roughly. I used to sing for a band called Scraps and Heart Attacks and we played tons of shows with The Backup Plan, so me and the dudes had always talked about doing a band together, and we finally did it.
Ok cool. So how come you left Scraps And Heart Attacks?
The dudes in SAHA were in school and couldn't tour full time, and didn't want to commit to it, so I wanted to start something new with people that were on the same page.
This Is Hell is the name of a Elvis Costello song, and I think This Is Hell can describe almost anything in life when shit isn't going well.
What are some of your influences?
Um lyrically I'm mostly influenced by non hardcore bands like The Old 97's and Jawbreaker.... but on the hardcore tip I think Jeff from Modern Life Is War and Daniel from Instilled wrote some great lyrics.
What do you think of your own music?
I'm into it Haha.
Yeah? What's your favourite TIH song?
On the demo I would say 'Double Grave'.
Why is that?
Musically I like it a lot, and it means a lot to me - it's about my girlfriend.... that's so emo.
Haha, nah it's not. When and where did you record the demo? Did you record more than four songs?
Um, we recorded the demo in mid June at our bass players house... we just recorded the four demo songs.
So he did all the recording and shit on his computer?
Yup pretty much, he's got a mini studio in his basement...
That's awesome, it sounds really good. How did you guys hook up with Run For Cover?
Word, thank you... umm Jeff from RFC heard our demo and wanted to put something out for us, so we are having him press our demo on vinyl, so we have something to sell on tour, I'm stoked Jeff is a good dude and runs a rad label.
What do you think about the state of hardcore today?
I think the state of hardcore today is great and horrible at the same time, and I don't care enough to type out a long explanation, because I'm sure there are tons of people that agree with me and tons that don't, whatever... who's to say what is and what isn't hardcore?
Although This Is Hell has just started up recently what has been your best achievement or moment so far...
Haha I don't know... We are about to go on a 2 month full US tour that I'm booking myself, and I think that is pretty big, a lot of bands that have been around for a while don't even try to tour, so we are doing our thing, and going for it.
What do you want people to come away with after seeing you guys?
I just want people to appreciate bands that give up everything, quit school, work and embrace debt to go out on tour and play music, regardless of what it sounds like.
Do This Is Hell have any plans to record again anytime soon? Have you got much more stuff written, other than the demo?
We have a few more song's written, when we get back from tour we are going to demo like 2 new songs and send them to labels and see what happens, hopefully record a LP in the new year.
Well, I'll be stoked to hear that when it's done. How have people reacted to you guys so far? Whether that's been live... or on the demo...
We have been getting a lot of good feedback from the demo, we have only played like 2 live shows, and they were gooood.
Are there any lesser known hardcore bands around right now that you are stoked about?
Fine Print from Long Island, New York, Another Breath from Syracuse, New York.
What have you been listening to recently?
Modern Life is War, Against Me, Nightmare Of You, Sex Positions, Atmosphere, Old 97's.
The Sex Positions record is awesome. Staying with the subject of other bands...what are your top five records of all time?
I don't think I could answer that off the top of my head, but I will give you a few quickly.
Haha ok...
- Jawbreaker "Dear you"
- Killing Time "Brightside"
- Elvis Costello "This Years Model"
- CIV "Set Your Goals"
- Refused "Shape of Punk To Come"
...If you asked me tomorrow I'd probably list five different ones Haha.
That's it for now Travis. Do you have any shows coming up or anything like that you want to mention? Shows? Shout outs? Websites? Etc...
Umm check out our website haha - www.thisishell.org - and order our 7 inch @ www.runforcoverrecords.com
Thanks a lot. I'm seriously stoked on your band and I hope more people get into you guys by reading this interview and then checking you out.
Thank you very much dude
The Nerve Agents
I did this interview over email with Eric Ozenne in 2003... and it's been stagnating on my hard drive ever since. I intended to some how release it through a zine but I never actually got round to doing it so here it is.
J
Hi there Eric... could you just introduce yourself, tell us about your band history and what your up to right now...
Hi I am Eric, I am a metal pig. My demise was Unit Pride, Redemption 87, and the Nerve Agents. Hopefully I can rebuild my life with this new band that I am in "Wanda Clued In" its more of a Dave Matthews thing and I am really hoping that fans of the Nerve Agents can mature a little and really dig this groove. O.k. I'm lying. I have a new band with Zac from NA, Gary from R-87, and the young wonderlust Trevor from his most recent band Scattered Fall. You will be truly disappointed.
Could you tell me about your new project that you have going right now with the Unit Pride guitarist?
That would be "Dead March" and as it seems, it may never see the light of day. We shall see. It is a very simple hardcore band, not original or really exciting just plain old fashioned hardcore. Songs are recorded, but no lyrics are done...and there it rots like the caught and released by a 5-year-old child blue gill that it is.
After about four years in The Nerve Agents how did it all come to an end?
By a phone call.
Do you have any regrets about it finishing? You were finally getting some recognition you deserved when everything just seemed to end so quickly...
I miss the guys in the band, but I imagine they don't miss me. Those who came out and knew about us for the entire four years we were successful always recognized us. If you are talking about media attention, then I am really glad that the band was never ruined by that. That was really the next level. Bigger clubs, bigger attention, more expectations, more barriers, more business. I really don't know many people that are better off for that added attraction to their bands. If anything? things get worse. Sure money and attention are bigger, but if you become ruined by it then is it worth it? The Nerve Agents in a bigger capacity would be out of their element...we already were doing two shows a day at the end just so everyone could get in to see us locally. We weren't ruined, it really was the perfect amount of time, so as to preserve what was great about NA.
Theoretically, if The Nerve Agents were still together what kind of musical progression do you feel would have happened and what affect would that have had on the next album?
We were really going to go out on a limb by the next record. Everyone was really confined to stay within our realm for The Butterfly Collection. Dante and I discussed a creative leap on the next record. We came close to doing that record. It was being discussed.
Did the Nerve Agents have any B-sides or do any covers that were never recorded? Track names?
Nothing.
Your strong relationship with AFI is well documented as both Davey and Jade have each done guest vocals Nerve Agents' albums. Do you still keep in contact with them?
I just talked to Dave two days ago. I last talked to Jade at BFD in June. They are out touring a lot so not that much, but I keep in contact with them while they are out there on tour. Once in a while I'll call.
How did the appearance on the Transplant's CD come about? Weren't you meant to be apart of that band in the beginning?
I did that song as a guest when the Transplants were just Rob and Tim. There is a 4 song homemade CD running around with a better version of that song right after we did it. Tim asked me to join the band at the Warfield in like December 2000 at a Rancid show. I said yes. Rob and I hooked up to write lyrics, but eventually Hellcat budget constraints kept me from flying back and forth to L. A. on their dime...so out I went. It is a good thing since my idea of what I wanted to do with the music was far different than theirs. They have their vision of the band working great. Plus I would just run Rob over all the time if I was playing live with them.
Is there any news of Nerve Agents performances on videos or DVDs being released through like... Hellcat/Epitaph or somebody?
Supposedly our footage of like two or three songs on the Hellcat Movie is going to be out this year. I know of nothing else.
Bought any good CD's recently? Anything that your looking forward to hearing...?
I'm looking forward to the new Morrissey in 2004. I just bought Roxy Music "Country Life" wonderful.
When will your band with Andy Carter and Kelly Dangerously (of Thought Riot) finally take place?
It won't.
When are you going to find a really expensive and good brace that will help your knee out that way you can play with the Nerve Agents again?
Never.
And finally... any shout outs or CD's you want to advertise?
The new Frisk album is really good...but not out yet.
Listen to The Thrills. They are excellent.
Thanks a lot Eric.
J
Hi there Eric... could you just introduce yourself, tell us about your band history and what your up to right now...
Hi I am Eric, I am a metal pig. My demise was Unit Pride, Redemption 87, and the Nerve Agents. Hopefully I can rebuild my life with this new band that I am in "Wanda Clued In" its more of a Dave Matthews thing and I am really hoping that fans of the Nerve Agents can mature a little and really dig this groove. O.k. I'm lying. I have a new band with Zac from NA, Gary from R-87, and the young wonderlust Trevor from his most recent band Scattered Fall. You will be truly disappointed.
Could you tell me about your new project that you have going right now with the Unit Pride guitarist?
That would be "Dead March" and as it seems, it may never see the light of day. We shall see. It is a very simple hardcore band, not original or really exciting just plain old fashioned hardcore. Songs are recorded, but no lyrics are done...and there it rots like the caught and released by a 5-year-old child blue gill that it is.
After about four years in The Nerve Agents how did it all come to an end?
By a phone call.
Do you have any regrets about it finishing? You were finally getting some recognition you deserved when everything just seemed to end so quickly...
I miss the guys in the band, but I imagine they don't miss me. Those who came out and knew about us for the entire four years we were successful always recognized us. If you are talking about media attention, then I am really glad that the band was never ruined by that. That was really the next level. Bigger clubs, bigger attention, more expectations, more barriers, more business. I really don't know many people that are better off for that added attraction to their bands. If anything? things get worse. Sure money and attention are bigger, but if you become ruined by it then is it worth it? The Nerve Agents in a bigger capacity would be out of their element...we already were doing two shows a day at the end just so everyone could get in to see us locally. We weren't ruined, it really was the perfect amount of time, so as to preserve what was great about NA.
Theoretically, if The Nerve Agents were still together what kind of musical progression do you feel would have happened and what affect would that have had on the next album?
We were really going to go out on a limb by the next record. Everyone was really confined to stay within our realm for The Butterfly Collection. Dante and I discussed a creative leap on the next record. We came close to doing that record. It was being discussed.
Did the Nerve Agents have any B-sides or do any covers that were never recorded? Track names?
Nothing.
Your strong relationship with AFI is well documented as both Davey and Jade have each done guest vocals Nerve Agents' albums. Do you still keep in contact with them?
I just talked to Dave two days ago. I last talked to Jade at BFD in June. They are out touring a lot so not that much, but I keep in contact with them while they are out there on tour. Once in a while I'll call.
How did the appearance on the Transplant's CD come about? Weren't you meant to be apart of that band in the beginning?
I did that song as a guest when the Transplants were just Rob and Tim. There is a 4 song homemade CD running around with a better version of that song right after we did it. Tim asked me to join the band at the Warfield in like December 2000 at a Rancid show. I said yes. Rob and I hooked up to write lyrics, but eventually Hellcat budget constraints kept me from flying back and forth to L. A. on their dime...so out I went. It is a good thing since my idea of what I wanted to do with the music was far different than theirs. They have their vision of the band working great. Plus I would just run Rob over all the time if I was playing live with them.
Is there any news of Nerve Agents performances on videos or DVDs being released through like... Hellcat/Epitaph or somebody?
Supposedly our footage of like two or three songs on the Hellcat Movie is going to be out this year. I know of nothing else.
Bought any good CD's recently? Anything that your looking forward to hearing...?
I'm looking forward to the new Morrissey in 2004. I just bought Roxy Music "Country Life" wonderful.
When will your band with Andy Carter and Kelly Dangerously (of Thought Riot) finally take place?
It won't.
When are you going to find a really expensive and good brace that will help your knee out that way you can play with the Nerve Agents again?
Never.
And finally... any shout outs or CD's you want to advertise?
The new Frisk album is really good...but not out yet.
Listen to The Thrills. They are excellent.
Thanks a lot Eric.
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